The book was the runner-up to Phil Klay’s Redeployment in the 2014 National Book Awards. Redeployment was one of the best books I read last year. All the Light We Cannot See, Doerr’s second novel is also on that list. As much as I love Redeployment I would hate to have to declare which of the two is a better book.
I was probably interested in this book because it had won the Pulitzer. Looking back, I’m surprised I read it as the plot doesn’t sound like something that would necessarily appeal to me. Doerr ties together the WWII experiences of a French girl and a German boy and their interested in architecture and radio technology and experiences in occupied France and the Hitler youth. The novel shoes the bystanders in each country and describes the seaside French city as the blind protagonist learns to navigate it. There is the moral confusion of the German boy in the Hitler Youth and his complicit guilt as his technological expertise spares him the cruel punishment meted out to his classmates. In some ways, the story shouldn’t work and Doerr does almost seem to come dangerously close to overusing central set pieces but never seems too weighed down by his various themes.
Within storylines that should seem obvious at times and themes which should jar Doerr builds incredibly subtle characters and relationships just as he also slowly creates and establishes the set pieces, city and world of the 1940’s French city. The most complimentary thing I can say is that Doerr’s book and the world within it is almost painfully immersive and as, such, the climax, is as hard to bear not just for the fate of the characters but also the inevitable destruction of the city Doerr has created and the architecture, buildings and secret spots I came to know within it.