Dead Snow (2009)

Tommy Wirkola

I re-watched this film at the start of 2017. It was around this time I started keeping track of what I was watching and reading. Mainly because I was bored and housebound. I had wondered if perhaps some sort of pattern might emerge in my media consumption. Or, if nothing else, I might start to understand what I kept coming back to and perhaps what I should concentrate on in the future.

As far as I can remember I’ve only seen this film twice. The first time was circa 2004 when I hired it from a video store in Preston. It had a little more novelty then. Though consuming foreign indie film was much different as well.

*edit: the films wasn’t released until 2009. I had moved back to near Preston and was hiring videos from a different but similar store.

Twelve years (actually eight) later this sort of idea of the double hinged camp horror film has been fairly well mined and yet this film still holds up well. The zombies look great, it’s all shot perfectly and the acting is fine. The plot is bare and doesn’t try to do anything other than play as expected. Group of friends travel to remote location, a ghost story signposts coming horror, said ghost(s) materialise and kill and terrorise until what is left of the group can turn on and destroy the ghosts.

For the budget this is a good film and I respect how well they executed a flimsy concept. Still I don’t think I’ll watch this a third time. Though still I’m curious about the sequel even as everyone campily combines Nazis into their speculative/sci-fi/horror stories. It’s true there’s nothing more evil then a Nazi. It’s depressing though seeing true evil so easily defeated by sexed up bumbling Norwegian teens. Even Bed knobs and Broomsticks treated the concept more seriously.

The Founder (2016)

John Lee Hancock

What this movie has? Well… It has an excellent and flawless cast. One of the most entertaining parts of the film was the frequent population of so many known faces in almost every scene. No matter how big or small. It was as if only the best character actors had been cast. Everyone performs well even though some actors are cast against their type particularly a meek Nick Offerman and a quiet and powerless Lura Dern as Ray Kroc’s housewife. It was good too to see some well known faces being cast into greater roles. Notably, for me, B.J. Novak from The Office and Linda Cardellini from Freaks and Geeks.

That said the movie is fun and interesting but ultimately unrewarding. The story is at its most interesting while it covers the McDonald’s brother’s initial development of their speedy burger system and restaurant setup. The plot and pacing then suffers as the focus turns more fully back and onto Michael Keaton as Ray Kroc. The movie then seems a little lost as to how to portray his increasingly unethical behaviour. In the third act the movie misses beats as Kroc’s personal life changes as his wealth and power increases. The movie has set itself up as being about Kroc’s journey from struggling salesman to fast food mogul but can’t really maintain the audience’s sympathy. Told in this way the character development struggles and Ray Kroc’s financial rewards and success feel unearned and the true-life resolution of the film an anti-climax. Meanwhile much seems to be left out or glossed over. The film ends as the McDonalds corporation is beginning to expand across America and only hints at the coming international cult of Ray Croc as, in the closing scenes, he practices a speech addressed to Ronald Reagan.

Little context is given for what Ray Kroc means when he urges the McDonald brothers to ‘do it (franchise their business) for America’. The movie doesn’t’ explain that Kroc was a staunch republican and thought that the export of American burgers could help in the fight against communism. This kind of partisan view is carefully kept out of the film as if it is seeking to appeal to everyone even as it tells the tale of ‘the founder’ essentially stealing his business from the McDonald brothers. While the movie is fine, very good even, and extremely watchable, well-acted and well shot it may have worked better if it had concentrated solely upon the origin story of the McDonald brothers as they developed their business where too it needn’t have had to skirt around or lessen certain events. Also, it had been that story and their initial journey it could have coincided with a changing America in the fifties through to the sixties and seventies. Instead these cultural changes were actually minimised and ignored in this film. Of course, too, by the same token a whole other film could have been made about the latter period in which Ray Croc takes over and the modern international colonial style expansion of the modern franchise. Both or either of these films could have been great. This film though which seeks to encapsulate these two very different stories and time periods does its best but cannot help but feeling disjointed and so too also, unfortunately, powerless in its portrayal of all parties and events.